The project consists of some works on paper that, being ‘exposed’ by the sunlight, have undergone a chromatic metamorphosis, to which the artist has added the engraving of a few verses, to be read through a lifted paper’s edge that unveils the Baudelaire’s words projected on the wall. By an ingenious yet simple gesture, the natural sunlight effect is thus integrated to the cultural intervention, the latter purposefully playing an explanatory function, though at the same time performing a voyeuristic intrusion by the invisible hand of an unknown curious observer yielding to the temptation to penetrate the works’ inner device.